The Nice List: Our 2025 Holiday Gift Guide

December is our favorite month of the year—because, of course, it’s the month when the nights are longest. It’s also the month when giving is in the air, which always inspires us to think of the pretty things that each special night photographer in our life might like to find under their tree.

So we start making a list of the wonderful bits of gear and whatnot that we find useful and interesting. Each fall we look at that list and choose our favorite things, then we wrap that all together to create our annual holiday gift guide.

And this, dear friends, is our gift to you. We hope you find the perfect present to help make someone’s life just a little more delightful.

You can view the gift guide in two ways: you can read it in the blog post below, or you can download the full-experience Gift Guide e-book. We encourage the latter, as the e-book version:

  • is more graphical

  • has lots more pictures

  • contains deals, discounts and specials


Aeropress

Travel Coffee Grinder

Night photographers tend to like coffee. Coffee aficionados tend to prefer grinding their own beans. For night photographers on the road, grinding was near-impossible while traveling, but the past few years have seen a rise in portable hand-crank grinders allow us to enjoy the best java while jonesing on our night work. Now our favorite portable coffee maker has crafted a manual Coffee Grinder, machined to perfection, allowing for a perfect cup of fresh joe while on the road.

AllTrails x Rumpl

Night Hikes Puffy Blanket

Most know AllTrails for helping us discover and save hiking trails, but they also offer some unique gifts on their online shop. Their Night Hikes Original Puffy Blanket (a collaboration with Rumpl) is as warm and cozy as a puffy jacket and also packs down so a photographer can always have a comfy place to rest on a day or night hike.

America’s National Parks

Revolutionary Passport

Ephemeral alert! Just in time for America’s 250th Anniversary comes a new Passport to the American Revolution that highlights all the revolution national park sites. Also included in this collector’s edition is a 10-page illustrated timeline, forward by filmmaker Ken Burns, and 10 stories from heroes and patriots. Plenty of space to sticker and stamp the brand new America250 ink logo!

B&H PHOTO

GIFT CARD

Photographers can be notoriously picky about gear. Not only do we crave the newest thingamabobs and doodads, but we tend to crave very specific ones—like, the Ronon Thingamabob 2.0 with dual widget slots, or the ProProof Doodad XL4R Mark IX with cumberslamp modification. Sound too tricky to pick apart? Yeah, we get it. So maybe the perfect gift is what allows the photographer in your life to choose for themselves: A B&H Gift Card is always a perfect present.

BAGS

There is no one bag to rule them all, because every bag suits different photographers with different needs at different times. Check out these new additions to this niche, all with unique carry and storage options.

Tenba: Roadie v2 Spinner 21 Air Case

Rollers just got smoother and more secure with the Tenba Roadie v2 Air Case. The walls are three-quarter-inch, including a removable front wall. It’s the only shippable/checkable sewn-together carry-on case on the planet!

Think Tank: Focus Point 30L

A compact yet expandable rolltop backpack that comes in fun colors. The Focus Point 30L fits two bodies with a 14-24mm f/2.8 and 24-70mm f/2.8 attached, or a 70-200mm f/2.8 unattached, as well as a 16-inch laptop and plenty of room for accessories, snacks and a raincoat.

Peak Design: Outdoor Sling 7L with Camera Cube

The ultimate lightweight sling bag. The Outdoor Sling 7L is easy to pack with a day kit, with camera and lens comfortably wrapped and secure.

Shimoda: Sidecountry

Sidecountry is the flagship backpack of Shimoda’s Side Series, and possibly the most efficient pack they have made. All its components and features are already lightweight for a camera bag, but you can further reduce the weight by removing parts you don’t need for specific adventures.

Wandrd: 2L D1 Fanny Pack

Fanny packs are back! Strap on the 2L D1 for everyday walkabouts that can fit a 360 camera, a pocket gimbal and a pair of sunglasses.

Bay Photo Lab

Custome Photo Calendar

A photograph isn’t truly complete until it’s printed, and our go-to printing partner is Bay Photo Lab. While we love all their metal, acrylic and Xposer surfaces, we think a perfect gift would be to collate a dozen wallbanger night photos into a 2026 custom Press Printed Calendar. Choose from four- or six-color printing and a variety of paper stocks, including UV coated options.

BENQ

Monitor ARM

Regain desk space and customize work space with BenQ’s Ergo Arm. This expertly engineered tool clamps effortlessly to the back of just about any desk type, without damaging the construction, and allows a discerning photo editor to swing the display left, right, up, down, in and out. Compatible with the size and weight of any BenQ monitor.

Bivy

Satellite Communicator

It’s not uncommon for nature photographers to find themselves in the middle of nowhere with no reception. That changes with the Bivy Stick Mesh, a two-way global satellite device that offers instant location sharing and secure, safe and reliable off-grid communication. It’s super rugged and waterproof, and it offers any outdoor enthusiast reliable access to maps, trails, weather reports and (most importantly) emergency assistance.

Black Lantern

Night Sky Glassware

We are blown away with the detail of the Milky Way on Black Lantern’s Stars and Night Sky Landscape Pint Glass. The black ink is permanently set in an oven, ensuring that these night skies will never fade. We recommend pouring dark stouts for maximum effect.

BOOKSHELF

Photography & Night Books

Ah, books … the elixir of the curious mind. The photography world is full of tomes, and we can’t get enough of them, nor enough of sharing them. Here are a few we’ve loved in 2025..

Bosch

Laser Distance Measure

When infinity focus isn’t good enough, a laser measuring device is the most accurate way to focus. For the precision-oriented photographer in your life, the GLM100-23 100 FT Blaze Laser Distance Measure will help them measure up. Its simple two-button interface is easy to use, and it’s accurate to one-16th of an inch at distances up to 100 feet. It can be set to meters or feet, with fractions or decimals. This pocket-sized tool has a bright backlit display that is easy to read in low-light situations.

Calibrite

Colorimeter

Every night photographer—every photographer in general—should calibrate and profile their displays, whether laptop, external monitor or projector. Modern monitors are brighter and have greater resolution, and with that improved quality has come an increased demand for hardware that can help maintain consistency and accuracy. The Calibrite Display Pro HL is an excellent way to future-proof color management workflow as displays get more and more capable. Compatible with HDR, OLED and miniLED (such as on MacBook Pro laptops, common among photographers).

CANON

Inkjet Printer

For a printer that can print up to 17x22 at home, look no further than Canon’s ImagePrograf Pro-1100. The 11-tank pigment-based ink system produces a wider color gamut, true color reproduction and fine image clarity, as well as enhanced detail in darker areas—perfect for those night images with lots of important shadows. Canon print heads rarely clog, as they use advanced anti-clogging technology, and they are also easy to swap out.

Coolpow

Airplane Phone Holder

The Airplane Phone Holder is one of the handiest gadgets we’ve come across to make air travel more bearable. The device clips onto an airplane seatback tray in the upright and locked position for handsfree viewing, including during takeoff and landing. We like to download shows from Netflix and watch them on long flights, and doing so hands-free with this sturdy, adjustable and compact device is easy and avoids the neck strain associated with looking down at a phone in your lap.

Cosmic Shards

Stargazing Flashcards

Level up knowledge of the Cosmos with these portable 4x6 Stargazing Flashcards that include the entire Messier Catalog—a list of the most popular celestial objects in our universe. We Kickstarted this last year and can vouch for their essential facts, durability and visibility under red light.

Field Made Co

Customizable Gear Labels

Who doesn’t like to stay organized and look great at the same time? Field Made Co creates beautiful Customizable Labels that will make a photographer feel professional, polished and put together. In addition to classic front and back lens cap stickers, they offer custom solutions for batteries and camera cases that provide space for a name, website and phone number.

FLASHLIGHTS

Nitecore: Low-Lumen Flashlight

Finally, a flashlight for night photographers that isn’t too bright, or red. The photographer on your list will truly appreciate the Nitecore Tube v2 LED Key Chain Flashlight. It’s USB-rechargeable and tiny, and at 1 lumen it’s just the right brightness for camera adjustments or finding that spare battery or memory card without ruining vision or ruining other people’s exposures.

Wuben: High-Lumen Flashlight

This super lightweight G5 Rechargeable EDC USB-C rechargeable flashlight is a great everyday carry. It’s 400 lumens at max brightness and is continuously adjustable via the side wheel. It’s tiny and light, and the tilting head allows pointing it in any direction.

Focus on Stars

Wide-Angle Bahtinov Mask

One of the greatest challenges to successful astro-landscape photography is achieving critical focus. It’s a bugaboo even for experienced night photographers. If there’s a photographer in your life who struggles with night sharpness, the Focus on Stars Bahtinov Mask is the perfect gift to help them get stellar focus every time. The Wide version is suitable for 14-50mm lenses with filter threads, and is compatible with all 100mm filters. The Wide 150 fits 14-50mm lenses with fixed lens hoods and/or convex front lens elements.

FOOTWEAR

Conscious Step: National Park Socks

Put your best foot forward by wrapping it in Socks that Protect National Parks. Wear the version that depicts a nighttime scene, or choose among 13 other designs such as oceans, endangered species, pets, trees and equality. Conscious Step gives a portion of profits to the parks.

Salomon: Trail Shoes

Our favorite trail runners, the XA Pro 3D V9 Gore-Tex keeps the safety-minded night photographer stable and comfortable on their feet. Aggressive tread minimizes slips, wide soles reduce rolling and the waterproof liner keeps moisture outside the shoe.

Vallerret: Wool Socks

Made with a blend of 70 percent merino wool, 25 percent nylon and 5 percent spandex, Vallerret’s 5-star Merino Wool Crew Sock will keep a photographer’s toes toasty wherever they may find themselves this winter.

GAMES

Keymaster: National Parks Board Game

Parks—an excellent board game to hit the trails and visit all the parks from the comfort of the living room. This new second edition updates the game so that players can explore the flora, fauna and wildlife in all 63 national parks. Roll the dice and get to know the parks in a brand new way.

Hasbro: National Parks Yahtzee Travel Edition

A new twist on a classic game: Yahtzee National Parks! Shake them up and roll for five monuments for a Yahtzee. The included dice feature: civil liberty parks, national monuments, Civil War battlefields, historic sites and the elusive ranger hat. A portion of sales goes back to the parks.

Heat Company

Gloves / Glove Liners

Warm hands in cold weather make for better concentration and more photographic opportunity. As liners, the Polartec Wind Pro gloves excel, but they are also wonderful without any additional shell. The water- and wind-repellant breathable fabric is stitched well for hands of many sizes, with high elasticity for easy movement and excellent fit. The rubberized grip on the palms helps keep the camera in hand, the back-of-hand hook and loop pocket has room for chemical hand warmers, and D-Rings on each glove help to keep them secure when not in use.

Jeff McCrum Photography

LED Panel Grid

The Hex Stack light modifier from Jeff McCrum Photography is the best way to reduce unwanted spill light when using the Luxli Viola—the best available tool for Low-Level Lighting. Photographers can “stack” multiple units to narrow the light beam as much as the shot requires, and each piece tightens the emitted beam by about 20 degrees and one stop of brightness.

Lensrentals

Gift Certificate

Who couldn’t always benefit from another piece of gear? Perhaps an extra camera body for the next workshop, or maybe a specialty lens, such as a fisheye for creative close-ups or a tilt-shift to ensure lighthouses don’t look distorted? A Lensrentals Gift Certificate will seal the deal, allowing photographers to loan or try all the latest and greatest gear.

move shoot move

Compact Star Tracker

Star trackers help with getting better image quality for star point shots. They rotate at the same speed as Earth, and depending on the camera and lens configuration they allow shutter speeds at least 1 minute long while using ISOs of 800 or lower. The Move Shoot Move Nomad is one of the best compact star trackers that can easily hold a 24-70mm f/2.8 lens. We suggest the kit that comes with the attachable laser pointer and the wedge for accurate and easy alignment.

National Park Service

National Parks Pass

America’s national parks preserve pretty much anything a night photographer needs to practice their craft: beautiful landscapes, historical structures and, of course, darkness. For only $80 you can purchase a standard America the Beautiful annual park pass to begin or continue an exploration of America’s greatest idea. The annual pass provides access to more than 2,000 recreation areas managed by five federal agencies, and the proceeds are used to improve and enhance visitor recreation services.

NIGHT PHOTOGRAPHY CONFERENCES

Nightscaper Photo Conference

The Nightscaper Photo Conference is an in-person gathering of night photographers—to be held next on May 14-17, 2026, in the Four Corners region, home to some of the darkest skies in the country, and the gateway to uncountable inspiring locations for landscape photography. The conference is dedicated to teaching astro and astro-landscape techniques, as well as spreading positive messages about dark-sky awareness and preservation.

Night Photo Summit

Inspiring night photographers across the galaxy! The Night Photo Summit is a virtual wintertime gathering of night photographers from across the U.S. and around the world, dedicated to instruction and inspiration in this dynamic and growing niche. More than 40 speakers engage with a passionate and dedicated audience over three days of online presentations, parties and networking. Topics range from a “Night Photography Fundamentals” track to talks about mid- and high-level processing, specialties such as light painting and panoramas, and general topics such as dark sky preservation, astronomy, national parks and more. (Tickets go on sale January 3, but contact us and we’ll make a gift happen!)

Outdoor Photographer

Magazine Subscription

After a multiyear hiatus, Outdoor Photographer is back! Moreover, they put a night photography article on the cover. So what’s not to love, and what’s not to look forward to as this magnificent magazine roars back to life? A subscription will provide a year (or more) of how-to’s, gear reviews, motivation and more.

OstrichPillow

Travel & Power Nap Pillow

Have you ever wanted to block out everything while traveling? How about nap with your head down and your ears covered? This unlikely Original Napping Pillow may look odd, but it offers superior opportunities for napping and resting in various locations. With an opening for breathing in the front and room for hands on the sides, the traveler can shut out the world and get some well-deserved rest.

Parks Project

Bortle Scale T-shirt

We have always appreciated our friends at Parks Project for their designs, and this year they really hit it out of the park with their Dark Skies series of apparel. The whole line glows in the dark, but we particularly like their long-sleeve Bortle Scale T-shirt that helps promote dark skies.

Planetdrop

Planets & Moon Bracelet

Wear our solar system on your wrist! Handmade from natural stones, this stretchable one-size-fits-all Solar System Bracelet is crafted with nine different colors of natural stones to represent planets and moons.

PUZZLES

Cavallini Papers & Co.: Celestial Map Puzzle

Once correctly configuring this Celestial Vintage Puzzle, the puzzle and night sky enthusiast will unveil an image beautiful enough to frame and put on the wall. Packaged in a 10-inch tube with a hand sewn muslin bag inside. Completed puzzle is 20x28 inches.

White Mountain Puzzles: National Park Badges Puzzle

The National Park Badges Jigsaw Puzzle consists of 1,000 random-cut heavy weight pieces, and no two are alike. Learn about what each park has to offer, and dream about getting back out there when the time is right. The finished size is an impressive 24x30 inches.

Red River Paper

Professional Photo Paper

Unveil the brilliance of images with a captivating, almost luminous quality that transforms everything from stars to moons into intensified, richer and incredibly realistic depictions. It’s time to be immersed in the world of Polar Gloss Metallic 255—a truly exceptional inkjet paper that seamlessly mirrors the captivating allure of professional photo lab metallic prints.

Sentigrams

Journey Map

Have you ever visited a restaurant, or stayed at a hotel where there was a pushpin map for visitors to mark where they came from? Sentigrams Journey Maps are a similar concept, but in reverse. It’s the perfect gift for avid travelers to show off where they’ve been, and for armchair travelers to dream about where they might someday go. Available in multiple sizes and styles.

SmallRig

Folding Wrench Set

Need to tighten a quick release, L bracket or tripod in the field? The SmallRig Film Riot 10-in-1 Folding Wrench Set is compact and stylish. It has five Allen wrenches, one flathead driver, two Phillips driver and one Torx T-25 driver—pretty much everything needed to tighten just about anything on the next photography adventure.

SUPPORT

Benro: Geared Tripod Head

The innovative GD36PT tripod head is a fusion of ball head and geared head. Its inverted design is ideal for panoramas, and it allows for fast adjustments and accurate geared motions (8-degree vertical tilt, 15-degree lateral tilt) for fine-tuning a composition or leveling a camera. It’s travel-friendly, and surprisingly light (1.62 pounds) for its 13.2-pound load capacity.

Novoflex: Mini Ball Head

Sometimes the right ball head is one that is lightweight but strong—one that travels easily and doesn’t take up too much room. Enter the Novoflex Ball-19. It holds 6.6 pounds and weighs a scant 3.25 ounces. The top features a quarter-inch thread with locking collar that is ideal for securing an LED panel or even a small mirrorless camera. The bottom has a 3/8-inch thread and includes a quarter-inch bushing to fit either a tripod or a threaded light stand tip.

Really Right Stuff: Ultralight Tripod

While the Really Right Stuff Ultralight series tripods aren’t technically light (they weigh in around 3 to 4 pounds), they are more compact than the popular Versa series. The legs fold incredibly close to each other, keeping the Ultralight compact while still offering the same durability and weight loads exceeding 80 pounds. In particular, check out the Ultralight-33, which is right in the middle of the line’s range.

Twelve South

Airline Bluetooth Adapter

These days many of the best headphones are Bluetooth, and some don’t even come with a cord—which means you couldn’t use them on a plane. Until now! The AirFly Pro wireless adapter plugs into a standard eighth-inch stereo headphone jack and pairs with up to two sets of Bluetooth headphones. Comes with an internal USB-C rechargeable battery and works anyplace there is a headphone jack (not just on airplanes).

Vello

Intervalometer

The next revolution in intervalometers is here. How many times have we all fat-fingered our remotes? The Shutterboss Pro clearly separates the Delay, Long and Interval settings with a specific button and readout for each. No more digging through interval menus, as all the settings appear on a big illuminated screen. Excellent for creating timelapses and star trails, or for just general triggering without having to touch the camera.

Venus Optics

Superwide Lens

What is the widest and fastest lens that is not a fisheye? That would be the Zero distortion, rectilinear Laowa 10mm f/2.8 Zero-D FF lens that will capture huge swaths of the night sky. It’s available in all current camera mounts, and the Nikon and Sony versions come in autofocus and manual-focus versions. Other mounts are manual focus only, and come with buyer’s choice of a five- or 14-blade aperture (we recommend the 14, for more circular bokeh).

Wander Painting

National Park Paint by Numbers

Before there was photography, there was painting, and painting by numbers taught us all as kids how we could be artists too. Now we can step back in time and revisit our favorite national parks via the paintbrush! An excellent project to help relax, focus and create a masterpiece: National Park Paint by Numbers.

WhateverMarket

Magic Auroral Mug

Start the day with a splash of aurora! The Northern Lights Color Changing Mug has a heat-sensitive design that magically appears when hot liquid is poured into the mug, revealing a starry night forest scene with the aurora borealis. The mug can be a reminder of visits to the northlands, or as inspiration to plan that trip to see the northern lights.

ZWO

Smart Telescope

For the night photographer who wants to take deep space photos but is intimidated with dedicated astro rigs, or who just wants to get started the easy way. The ZWO S30 is a small smart telescope that weighs no more than a 1-liter bottle of water and has an equivalent 150mm lens. Control the S30 via phone or tablet and watch the image of a close nebula and constellations appear. Incredibly fun and easy to use, it’s the perfect astro stocking stuffer for any age!


Note: Remember, this gift guide is also available as a free downloadable e-book, with lots more photos and a ton of discount codes. Download yours today by clicking the image below.

Chris Nicholson is a partner and director of content with National Parks at Night, and author of Photographing National Parks (Sidelight Books, 2015) and Photographing Lighthouses (Sidelight Books, 2026). Learn more about national parks as photography destinations, subscribe to Chris' free e-newsletter, and more at www.PhotographingNationalParks.com.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT

Cue Decade Two: Announcing Our 11th Season of Workshops and Tours

We are ready to announce … Season 11!

As we enter the second decade of National Parks at Night, we are grateful to all our amazing alumni, conference attendees and fellow lovers of night photography. The adventures have been amazing, your friendship has been inspiring, and we are not slowing down.

Thank you for coming along for the ride. We look forward to another decade (at least!) of learning, sharing and growing together in wild, wonderful places at night.

Over the coming couple of years we will explore even more countries and landscapes, resting under more stars than you can count, each of them awaiting your cameras, lenses and tripods. So come with us—adventure awaits.

New Workshops

For Season 11, we are offering 29 workshops and tours, running in 2026 and 2027. We are returning to some of our “Greatest Hits”—Rocky Mountain National Park (in winter!), Ouray (for a panorama intensive!), Easter Island and more. Keep giving us feedback on your favorite places we’ve gone together, and we’ll make sure to return.

We are also finally checking off a few locations we haven’t been to before but that have been highly requested, including the otherworldly landscapes of the Atacama Plateau and the desert photographer’s playground of Namibia. Keep sharing where you want to go with us and we’ll do our best to take you there.

Rocky Mountain National Park. © Chris Nicholson.

Rust & Ruinism. © Tim Cooper.

One of the big pieces of night photography news the past few years has been the awesomeness of the current solar maximum. As long as the night sky giveth, we’re ready to taketh (with gratitude)! So we’re heading back to two of our favorite locations that have epic landscapes to mingle with the dancing green lights: the Lofoten Islands and Westfjords, Iceland.

Are you hooked on eclipses like we are? Two big ones are happening over the next two years, and we’ll be on location for both: For the eclipse of 2026, we’ll be camping in Iceland’s Hornstrandir Nature Reserve and road-tripping through northern Spain. And in 2027 we’ll be heading to Egypt.

Ouray Panorama. © Matt Hill.

Catskill. © Matt Hill

In other celestial news, the Geminid Meteor Shower should be epic next year, peaking with no moonlight for a predicted yield of over 130 meteors per hour. We’ll have two groups taking advantage: in Monument Valley and Everglades National Park.

Then there is the thing we love the best, having you stamp your passport to new national parks. In addition to the parks already mentioned, next year we will be exploring the beautiful alpine landscapes of North Cascades, the towering trees and pristine coastline of Redwood, the cliff dwellings and landscapes of Mesa Verde, and the park our alumni voted on revisiting, Glacier.

Easter Island. © Lance Keimig.

Lofoten Islands. © Tim Cooper.

Intro to Night Photography

Finally, we’re back to the basics.

Perhaps you’ve been following what we do for years, but haven’t felt like you have the experience or confidence to go on one of our adventures. If this sounds like you, you’re in luck, because we designed a experience with you in mind.

Our Introduction to Night Photography workshop offers full immersion into the fundamentals of shooting in the dark, with six days and five nights of classroom and field instruction. You’ll learn the basics of camera settings and focusing at night, as well as techniques for high ISO short exposures to capture the Milky Way and long exposures for star trails. We’ll also teach how to photograph in urban areas under artificial lights.

We’ll do all this in one of our favorite places––Cape Cod––at the best time of year to visit.

Cape Cod. © Lance Keimig.

Whatever your skill level and wherever you join us, we look forward to sharing, celebrating and seizing so many more nights with you soon.

A Few Notes

How are Some Already Sold Out?

As a special thank you to those who attend our workshops, who sign up for our waitlist and who subscribe to our email list, every year we announce our itinerary to those three groups before “going public.”

This year, as usual, our community has committed very strongly to many of the workshops. (Our gratitude is infinite.) Because of that, 15 of our new workshops and tours sold out during the past week. Additionally, three tours were announced last year and sold out some time ago.

Still, as of press time, nine of our Season 11 workshops and tours have seats left, so it’s easy to join us in amazing places such as Namibia, Atacama Plateau, Ouray and more.

If you really want to go to one of those other places with us …

We Can’t say it Enough: Use the Waitlist

Spots open up for almost every workshop, and those spots always get offered to the waitlist first. If you see something you really want to attend and there are no tickets now, we urge you to sign up for the waitlist today.

Extra Gear, Anyone?

If there’s one commonality among everyone who attends our workshops and tours, it’s … well, it’s that we all like making pictures in the dark. But if there’s a second commonality, it’s that we could also use an extra piece of gear or two when we go on a night photography trip.

To that end, we are crazy-excited to announce a brand new brand partnership that will help you maximize your efforts on workshops. We are now partnering with Lensrentals, specifically to bring you a good discount on gear loans so that you can load up before a trip and maximize your creativity.

Want to try a brand new camera in Catskill? Need a telephoto for our trip to Rocky Mountain National Park? How about a tilt-shift for the Michigan Lighthouses workshop? You can get all of that and more for 15 percent off, just for being a National Parks at Night workshop attendee. More info will be sent after you register for a workshop.

Atacama Plateau. © Gabriel Biderman.

Seize the Night in Season 11

As we get ready to commence our tenth autumn, we’re looking forward to a winter break from travel, followed by an epic Season 11 full of adventures and stars.

Where will you be joining us? Wherever the destination, we look forward to seizing the night with you soon.

Matt Hill is a partner and workshop leader with [National Parks at Night](http://www.PhotographingNationalParks.com). See more about his photography, art, workshops and writing at [MattHillArt.com](http://www.MattHillArt.com). Follow Matt on [Twitter](https://twitter.com/matthill) [Instagram](http://www.instagram.com/matthillart) [Facebook](http://www.facebook.com/MattHillArt).

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT

Fantastic Four Corners: Announcing the 2026 Nightscaper Conference

As promised at the end of the most recent Nightscaper Photo Conference, we’re moving! Kanab, Utah—home to the last three conferences—is a wonderful place to gather for night photography, but so are a hundred other locations. So we’re hitting the road, ready to explore our next great location for shooting and celebrating dark skies, as we bring the Nightscaper Conference to … Four Corners!

Today we officially launch the 2026 Nightscaper Photo Conference, and we invite you to come shoot for the stars with us in Farmington, New Mexico, and the amazing dark-sky landscapes that surround it. The event will run May 14-17, 2026.

About Nightscaper

If you’re making plans for your 2026 spring Milky Way season, then include Nightscaper Four Corners in your schedule and level up your astro-landscape night photography skills. This conference will be held during the height of the new moon, providing perfect darkness to photograph the Milky Way arching over the beauty of the high Colorado Plateau.

You’ll join other passionate photographers, scientists and inspirational speakers for daytime sessions about night photography, astronomy, dark sky preservation and more. Then after hours you’ll head out with speakers, sponsors and/or other attendees to enjoy the night with friends new and old. Speakers will also be offering local workshops before and after the conference, so you can put together a pretty awesome night photography excursion in one of the best places in the world for doing so.

The conference goes on for four days, starting each day in late morning to accommodate those who were out shooting the night before. Daily lunches are included, as well as one dinner.

Speakers

We are very excited to announce many of the speakers for the 2026 conference right now. We will be welcoming:

  • returning speakers Bryony Richards, Jess Santos, Joshua Snow and Katrina Brown

  • Jaya Bajpayee, deputy director at NASA

  • Forest Chaput de Saintonge, founder of Rocky Mountain School of Photography and Everlight Education

  • Ian Lauer, astrophotographer and YouTuber

  • Ken Lee, night photographer, master light painter and author of four photography books

  • Cathrin Machin, an astro artist who will teach you how to paint the stars

  • Royce Bair, the original “nightscaper” and founder of the conference

  • Gabriel Biderman, Tim Cooper, Matt Hill, Lance Keimig, and Chris Nicholson—the team at National Parks at Night

For more information, visit our About the Speakers page.

And keep checking back, because that won't be the last of the names you’ll see. We'll be adding a few more speakers, and we’ll keep you posted.

Tickets

Tickets for the 2026 conference are on sale now. We are offering Conference + Replays tickets for those who can travel or Replays Only tickets for those who cannot travel but still want all the education and inspiration.

  • $599 ($200 off full price) for Conference + Replays tickets: use code “EarlyBird”

  • $375 ($50 off full price) for Replays Only tickets: use code “EarlyBirdReplay”

Additionally, if you buy your in-person (Conference + Replays) ticket before July 15, you will receive a free gift. Your choice of either a Nightscaper hat or padded tote bag!

These Early Birds deal will last until July 15, 2025, so grab your ticket at a discounted rate while you can!

Scholarship: Send a Kid to Nightscaper

The Nightscaper Youth Scholarship supports aspiring astrophotographers ages 13 to 20 by providing lodging and full conference registration to attend Nightscaper. This opportunity is designed to inspire and empower the next generation of night sky storytellers.

Applicants will be selected based on a submitted nightscape photo and a brief written photo story that showcases their passion for capturing the beauty of the night sky and the creativity behind their image.

Awardees will have the chance to learn from industry professionals, engage with and shoot alongside the Nightscaper community, and grow their artistic and technical skills in a supportive and inspiring environment.

Conference attendees have the chance to contribute to the scholarship fund while purchasing their ticket. (For anyone not attending who would like to contribute, please see the Nightscaper Youth Scholarship webpage.)

Follow Us for News

We’ll be rolling out more Nightscaper Conference information throughout the next year, including:

  • sponsor and speaker announcements

  • morning add-on classes

  • speaker workshops

  • lodging info

  • and more!

Be sure to sign up for the Nightscaper email list to receive conference news and updates right in your inbox.

Also, stay tuned in to our day-to-day conference announcements by following the Nightscaper social media accounts:

Finally, join the Facebook group to share your night photos and to chat about all things night photography.

Chris Nicholson is a partner and director of content with National Parks at Night, and author of Photographing National Parks (Sidelight Books, 2015) and Photographing Lighthouses (Sidelight Books, 2026). Learn more about national parks as photography destinations, subscribe to Chris' free e-newsletter, and more at www.PhotographingNationalParks.com.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT

From Plane to Rain to Desert Moon: The Great Lunar Eclipse Chase of 2025

It had been a while since we were last able to photograph a total lunar eclipse in the Americas—November 2022, to be exact. I missed shooting them, because I love shooting them.

I started chasing lunar eclipses in 2014 when I took a Dusk to Dawn workshop group to Las Vegas for the second in the tetrad of lunar eclipses that were happening over a one-year period. The next time was 2019, when I was in Atlanta and found a view of downtown with car trails and a big super blood moon.

High Roller & Lunar Moon Trail, 2014. 55mm focal length, 15 minutes f/8, ISO 400.

The 2019 super blood wolf moon (aka the lunar eclipse) over Atlanta. Foreground: 35mm lens, 25 seconds, f/16, ISO 200; background (moon): 600mm lens, 1/2 second, f/5.6, ISO 3200.

Lunar eclipses are relatively easy to shoot, compared to solar eclipses—you don’t need special filters and you typically have an hour of totality instead of mere minutes. Looking back recently, a common theme I noticed was that I had shot all my lunar eclipses in urban locations. So for the March 2025 eclipse last week, I wanted to travel someplace dark. Given that I would be in Vegas again right before this eclipse, I set my eyes on experiencing the event in the gold-tier dark skies of nearby Death Valley National Park.

The Players

As always is the case with night photography, I wanted to enjoy this experience with others. I was heading to Vegas for the WPPI conference, so it wasn’t hard to find friends who were willing to adventure together. The team comprised:

  • Susan Magnano, night photographer, luminescent portrait expert, Night Photo Summit speaker and birthday girl!

  • Clifford Pickett, post-processing wizard and educator in all things photography

  • JC Carey, master of bringing light and drama to any scene with his Westcott strobes always at the ready

The Plan

Death Valley is a vast national park with lots of scenery options. The idea I proposed was to photograph the hexagonal patterns of salt flats with mountains in the distance (like in the photo below) and the moon high in the sky.

Salt flat formations, Death Valley National Park. © Chris Nicholson. Nikon D5 with a Nikon 14-24mm f/2.8 lens. 1/320, f/8, ISO 100.

JC and I planned to fly in early on the 13th and head right to Death Valley. Susan and Cliff were already there and were able to do some key scouting for locations.

When JC and I landed, the weather was horrible. It was raining, totally overcast, windy and cold. But the forecast for Death Valley was that things would clear up about an hour before totality. That being said, Death Valley has different weather all over the massive park, so we kept our fingers crossed.

Another not-so-fun fact about Death Valley (depending on your priorities) is that it has very limited cell reception. Fortunately we got just enough of a sliver of service to learn that when Susan and Cliff scouted Badwater Basin—the usual spot for shooting salt patterns—they found nothing. Hurricane Hillary in 2023 and heavy rains in 2024 wiped out the formations (which is part of the normal cycle of nature there), and new ones had not completely reformed yet. So Susan and Cliff found another location with more defined patterns, and they sent us a pin.

The Shoot

Dropped pins work OK in Death Valley, as long as you have downloaded an offline map in Google Maps—which fortunately I had. We found Susan and Cliff after only one turnaround, when we spotted a lone car parked on the side of the road and a few tripods out in the darkness. We pulled over and called out “Susan, is that you?” A familiar voice called back, “You made it!” Finding your friends in the dark can be a very comforting feeling.

The sky was looking pretty good. There were still some big patchy clouds, but to the west were lots of stars. The air was a little chilly with winds approximately 10 mph, which was down significantly from the 50 mph winds earlier.

We started looking for primo honeycomb patterns that we could frame in front of the moon. By the time the clouds cleared, the eclipse was halfway toward totality. It looked very cool.

I had two setups going, but the main one was my Nikon Z 8 with a 14-24mm f/2.8 lens low to the ground to emphasize the raised lines of salt. I focused on the hyperfocal distance and was able to achieve sharp focus from 3 feet away to the stars at infinity.

Once totality kicked in and the moon turned dark red, I needed to home in on the proper exposure for the moon with detail. The correct foreground shot (Figure 1) was 8 seconds, f/2.8, ISO 6400. The properly exposed wide moon shot (Figure 2) was 1/2, f/4, ISO 1250. That is a five-plus-stop difference in exposure.

Figure 1. The foreground exposure. Nikon Z 8 with a Nikon Z 14-24mm f/2.8 lens. 8 seconds, f/2.8, ISO 6400.

Figure 2. The moon exposure. 1/2, f/4, ISO 1250.

I shot both frames at 18mm and later blended the properly exposed lunar eclipse with the foreground in Photoshop (Figure 3).

I shot a few different takes of this with different salt patterns, and I also used a Luxli Fiddle at .1 percent power to sidelight the scene and bring out the texture of the ground. However, for this foreground shot a car was driving down the road and the sidelight from the headlights provided the perfect visual punch to the salt flats.

Figure 3. The final blended image.

I also had my Nikon ZF camera mounted with a 100-400mm lens to get some close-up views of the eclipse during totality. I was inspired by Chris Nicholson’s bright star field capture of the lunar eclipse in 2022 and wanted to create something similar that as well.

The stars were really sparkling during totality and my proper lunar eclipse exposure (Figure 4) was 1/15, f/5.6, ISO 6400 shooting with the lens at 185mm. The sharp star field shot (Figure 5) was 1/2, f/5.6, ISO 25,600 also at 185mm.

Figure 4. Nikon ZF with a Nikon 100-400mm f/4.5-5.6 lens at 185mm. 1/15, f/5.6, ISO 6400.

Figure 5. 1/2, f/5.6, ISO 25,600.

What made blending these images together (Figure 6) easier than typical moon-swapping blends is that the glow around the moon was minimal because the moon was so dim.

Figure 6. The final blended image.

The Group Experience

It was very cool to experience the lunar eclipse in a dark location such as Death Valley. We were able to experience a variety of night photography opportunities due to the full-moon transition from a bright sky and landscape to an incredibly dark sky with stars aplenty, then back again, all within a few hours.

What I also found to be fun was that each of us were trying different interpretations of the lunar eclipse. JC’s favorite was a timelapse he set up that really shows the transition of the eclipse into totality.

© 2025 JC Carey.

Of course it wouldn’t be a night shoot with Susan if she didn’t bring out her light tubes and start taking luminescent portraits! That was super fun and a wonderful way to forever commemorate the Great Lunar Eclipse Chase of 2025.

© 2025 Susan Magnano.

© 2025 Susan Magnano.

Your Turn

We’d love to see your eclipse images and hear your eclipse stories! Share in the comments below, or on our Facebook page, or on Instagram (tag us @nationalparksatnight #nationalparksatnight #seizethenight).

If you didn’t get to shoot this lunar eclipse, another will hit the Americas on March 3, 2026. You’ll need to go west to see totality—in Alaska, Washington, Oregon, California and Canada. Bring friends. It’s the best way to enjoy and remember the experience!

Gabriel Biderman is a partner and workshop leader with National Parks at Night. He is a Brooklyn-based fine art and travel photographer, and author of Night Photography: From Snapshots to Great Shots (Peachpit, 2014). During the daytime hours you'll often find Gabe at one of many photo events around the world working for B&H Photo’s road marketing team. See his portfolio and workshop lineup at www.ruinism.com.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT

Are You Ready for the Total Lunar Eclipse of 2025?

If total lunar eclipses seem like a thing of the past, there’s a good reason for that: The world hasn’t seen one since 2022. But have no fear—the disappearing act is back!

This week the moon will cross completely into Earth’s shadow, providing an opportunity for most of the photographers in the Western Hemisphere to get out and shoot this uncommon celestial event.

This eclipse will happen on the overnight of March 13 to 14, 2025—in other words, you want to be out tomorrow night. We’re offering this blog post to help you get prepared.

Info About the Eclipse

To learn more about this eclipse, we recommend checking out these excellent resources:

Where to See the Eclipse

A good portion of the Western Hemisphere will witness the total eclipse, including all of the contiguous United States and the eastern half of Alaska, plus all of Canada, all of Central America and half of South America.

Courtesy of NASA.

How to Shoot the Eclipse

Gear

You don’t need any special equipment beyond what you’d use to photograph any moon at night: camera, lens, tripod. You can add a cable remote, an intervalometer, a star tracker, etc., but you won’t need any special light filters or anything of that nature.

Consider using both long and wide lenses to create different types of compositions. The former will give you great moon portraits, while the latter will allow you to portray the moon as an element of a wider night scene (see below). The visible eclipse will last 3.5 hours from beginning to end, and totality will last about an hour. You can work through a lot of scenarios and ideas in that much time, and you can even wait out clouds that might be blocking the moon for a bit.

Lunar eclipse over Price Lake, Blue Ridge Parkway. Nikon D5 with a Nikon 24-70mm f/2.8 lens. Three blended frames shot at 30 seconds (foreground), 15 seconds (stars) and 1/4 second (moon), f/2.8, ISO 6400.

Scouting

Use PhotoPills to see ahead of time where the moon will be in the sky during the eclipse. You can do this with the Eclipse panel in the Planner, or if you’re already on location just use Night AR in the Moon pill to visualize where the moon will move during the times mentioned above.

Exposure

Pay attention to shutter speed. The moon moves faster than it appears—a little less than 2,300 miles per hour. The moon moves the length of its diameter every 2 minutes.

This means that if your shutter speed is too long, the moon will blur. The wider your lens, the longer shutter speed you can get away with—even as long as 10 seconds or so. But with longer lenses, you’ll be limited to much shorter speeds.

Be ready to change exposure. The moon will get darker closer to the middle of the eclipse, so an exposure that looks good at 1:30 a.m. EDT will appear dark at 3 a.m., and your good 3 a.m. exposure will blow out the moon at 5:00 a.m. But you have to be careful about compensating for that loss of illumination by changing your shutter speed too much, lest your moon go soft from motion (see above). Therefore, during totality you’ll probably want to increase your ISO instead.

More Info

In the past we’ve written a few blog posts about lunar eclipse photography. Reading through them will offer a little more context about how to work this week.

When to Shoot the Eclipse

All phases of the eclipse will happen simultaneously for viewers across time zones. However, because your watches will be different, the times will be different. To that end, we offer the following guides for when to be out shooting, and for when to expect what. (Click to open, right-click to download.)

Atlantic Daylight Time (GMT -3)

Eastern Daylight Time (GMT -4)

Central Daylight Time (GMT -5)

Mountain Daylight Time (GMT -6)

Pacific Daylight Time (GMT -7)

Alaska Daylight Time (GMT -8)

Wrapping Up

We wish all of you great success in shooting for the moon this week! Please come back and share your photos with us. Share in the comments below, or on our Facebook page, or on Instagram (tag us @nationalparksatnight #nationalparksatnight #seizethenight). Be sure to tell a story too—the technical aspects, the challenge overcome, or a tale of the experience.

Chris Nicholson is a partner and director of content with National Parks at Night, and author of Photographing National Parks (Sidelight Books, 2015) and Photographing Lighthouses (Sidelight Books, 2025). Learn more about national parks as photography destinations, subscribe to Chris' free e-newsletter, and more at www.PhotographingNationalParks.com.

UPCOMING WORKSHOPS FROM NATIONAL PARKS AT NIGHT

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