JOSHUA TREE NATIONAL PARK, CALIFORNIA
PASSPORT SERIES NIGHT PHOTOGRAPHY WORKSHOP
This workshop in offered in partnership with the Desert Institute.
Joshua Tree National Park encompasses sections of two different deserts—the Mojave and the Colorado—both full of opportunities for remarkable images.
Blog post about this workshop:
images © Lance Keimig
This workshop was held on April 30-May 5, 2017.
This is a 6-day and 5-night workshop. The adventure began at 10 a.m. on April 30 and ended about 4 p.m. on May 5.
Note: Deposit of $400 was required to reserve your spot at the workshop. Balance of $1,350 was due on March 1, 2017. Or, you may have chosen the "Pay in full" ticket to pay all at once.
This workshop was sold out. Really interested? We added a SECOND Joshua Tree workshop.
As with all National Parks at Night photo workshops, we will teach at this location only once. If you have a dream of making epic long exposures at night in this park, we hope you will join us.
The Workshop Experience
This six-day, five-night photography workshop in Joshua Tree National Park will take place between the waxing crescent and waxing gibbous phases of the moon, which means we’ll have an increasing amount of moonlight during the workshop, and dark skies very late after the moon sets. This is ideal for light painting, which will be a major component of this workshop. The temperature will be moderated by the season, with daytime temperatures in the upper 80s, and nighttime lows in the upper 50s.
The workshop is intended for people who are comfortable with their equipment and with capturing RAW files in Manual exposure mode. Night photography experience is not necessary, but even folks with extensive experience shooting at night will find this class challenging, stimulating and inspiring.
Topics covered will include exposure, composition, light painting and controlling the ratio between ambient and added light. Techniques and inspiration will be constantly discussed, demonstrated and put into practice. We hope to push you to step outside your comfort zone—to test the limits of what you and your camera can do. Special emphasis will be placed on developing your own personal night vision.
This workshop will have both field and classroom instruction. We will be in the classroom each day, and out in the field at different locations each night. Participants can stay out shooting as long as they, or their camera’s batteries, hold out. While in the field, the instructors will demonstrate their own techniques, and work with participants one-on-one to make sure everyone gets the most out of the workshop. During classroom sessions, there will be presentations by the instructors, but we will focus on developing your images and sharing everyone's work and ideas with each other. Each day will have a critique of the previous night’s work.
Locations may include Keys Ranch ruins, Arch Rock, the Cholla Cactus Garden, Ryan Ranch ruins, and of course Joshua trees! We may also venture outside the park one night to photograph some of the many interesting sites in the area. Discoveries await.
This class is for those looking to expand their photographic horizons, recharge their creative batteries and share ideas with friends and colleagues. We will create individual goals for each participant, and encourage you to blur the lines between night and day, consider why you photograph at night, and challenge you to make unique images that have deep personal meaning. Collaboration is a great way to make new discoveries and new friends, and will be a part of the experience. Working through image ideas and lighting together is a fun and rewarding process, and can give you that kick in the pants you’ve been looking for.
FOOD AND LODGING
The workshop base camp will be in Twentynine Palms, California. We have secured a block of rooms for a discounted rate at the Holiday Inn Express in Twentynine Palms. Once you make your deposit, you will receive a code that can be used to reserve one of the group rooms. The group reservation is for seven nights, from April 29 to check-out on May 5.
There are other lodging options in Twentynine Palms, and camping in the park if you prefer, but there are no showers in any of the park’s campgrounds. As with most NPAN workshops, we will generally be operating on a two-meal schedule—late breakfast and then an early supper before going out to shoot. Many people bring sandwiches or other snacks to eat on location at night.
You should be comfortable with the manual exposure operation of your camera, and basic post-processing in the image editor of your choice. Demonstrations and image review will be conducted in Lightroom. There will not be any long hikes, but you should be comfortable carrying your own equipment over uneven ground in the dark for distances up to a half-mile.
Please read our FAQs section for more information about skill and gear requirements, and other information that pertains to all our workshops.
A Natural Attraction
Joshua Tree is a park that really needs a good bit of time to get to know. Like a lot of desert environments, it seems there’s not much there at first glance. That’s hardly the case.
Enormous in size, the park encompasses two deserts—the lower, hotter and drier Colorado Desert in the eastern half of the park; and the higher, wetter and slightly cooler Mojave Desert that makes up the western half of the park, which is home to the famous, wily trees. The eastern half of the desert’s vegetation is dominated by creosote bush, cholla and ocotillo cacti, and the varied and often dramatic geology is a large part of the park’s appeal across all areas.
I made my first visit to Joshua Tree in 1992, and camped at Jumbo Rocks—the largest and probably best known of the campgrounds. I made one memorable night photograph there on that trip, an image of a Mini Cooper-size boulder wedged tightly into a narrow crevice somewhere in the labyrinthine maze of rocks that gives the campground its name.
The image was obviously shot on film (120 color negative film) made with a Pentax 67 camera. It was a full moon image—a 30 minute exposure with light painting on the boulder and a low camera angle to exaggerate the size and to show lots of star trails. Unfortunately, I bumped the tripod while squeezing between the camera and rock face to do my light painting, and the star trails gave it away. The trails were all broken when the camera was displaced by just a tiny bit, and as a result, I never printed the image.
Still, I always remembered the photograph, and every time I’ve returned to Joshua Tree since then, I’ve wanted to re-shoot the image, and to do it right. But I’ve never managed to find that spot again. I’ll keep looking, and one day I’ll find it. The Pentax 67 is long gone, but I’m sure that rock is still there! Fortunately for us, there are so many things and places to photograph in Joshua Tree National Park that I’ll never run out of images to make. I look forward to sharing my experiences of one of my favorite national parks with you in 2017!